In mere hours, Mars will be closer to Earth than it has been for 15 years ….
Apropos of such a rare occasion, after over a decade of painstaking Martian deep radar studies, ESA — the European Space Agency — just announced the possible discovery of a liquid-water lake on Mars — over 12 miles long, and buried under the south polar Martian ice cap … over a mile down ….
Or, is it?
Remarkably, this “buried Martian lake” is located — wonder of wonders — at ~195 longitude on Mars … another “19.5!”
What if, in fact, the Europeans actually have detected the radar signature of an ancient, buried, long-abandoned Martian city … the last surviving one … before “the Martians” were forced to come to Earth?
And THAT’S how its coordinates on ESA maps coincide with the numerical code of HD Physics … because the Martian coordinate system ESA’s using, originally–
Came from Mars!
Join us tonight, as our Enterprise Imaging Team — and a few “surprise guests” — discuss the growing evidence we have been quietly accumulating for over thirty years–
That some humans are, in fact, “migrating Martians” ….
Richard C. Hoagland
3- Mars-Opposition-2018-Comparisons Click image to enlarge
4- Mars-July-2018-Hubble-duststorm Click image to enlarge
4B- Barsoom Map Click image to enlarge
5- Opportunity-Martian-duststorm-sun-comp Click image to enlarge
6- Siberian Landscape Click image to enlarge
We encourage you to submit questions
in the blog below before the show:)
ENTERPRISE MISSION IMAGING TEAM
Will Farrar’s Item:
Ron Gerbron’s Items: Click images to enlarge
1- 051101-2 ISAS-JAXA_01sgx
Andrew Curries Items: Click image to enlarge
2- Dragon, Griffin & Horse
3- The Progenitors
4- Evidence or Happenstance_
Robert Harrison’s Items:
1- Interestingly “Inca City” is just outside the south polar cap of Mars.
2- Ancient worms defrosted alive from the ice.
Now where have I heard of that before? ?
Comparison of Maiden Castle, Dorset, UK and Island Fort on Mars / Rampart Spacings at Maiden Castle are 19.5 metres.
Click image to enlarge
Georgia Lambert’s Item:
1- SEKHMET Click image to enlarge
By Georgia LambertIn the original oil painting of the Goddess SEKHMET, She is shown in both her aspects, as a Lioness, and as a Woman. The first thing I tried to create in this painting, was the quality of Light. In the original, this is more apparent, but if you will notice, the right side of the painting is in evening light, and the left side, in bright afternoon sun. The right side of the brain is the invocative side, and, as in ancient cultures the new day began at sunset, this side of the painting heralds the new era. The Goddess lifts her left hand (right brain) to the evening sky. A symbolic doorway appears over the constellation ORION. The star SIRIUS can be seen faintly in the womans’ hair, behind her hand. This is the sacred space of the sky the Egyptians called the DUAT, the region to which OSIRIS would rise and rule. A black hole opens in the center of ORION, a gateway to other dimensions. SEKHMET invokes the future via this opening, and the Light of its Soul pours through, creating a blue-white beam downward to the eye of Hours, to ground far beneath the Earth in the very heart of our planet.
In looking at some of the symbology of this painting, one notices that the Lioness is not an
African Lion, but a North American Panther. I chose this because in several Esoteric traditions,
America is considered reincarnated Egypt. The crown on the head of the Lioness is taken from
Egyptian wall paintings, but I arranged the lotus flower to bend over the Ajna Center, the chakra
between the brows. The stem of the blossom curves around the crown it emulate the serpent and
apple of the Garden of Eden. The blossom falls directly in the center of the head of the woman, a
mystical place of meditation, the heart center within the head.
At the far-left edge we see the ghostly figure of NEKHBET, the Vulture Goddess, symbolizing
Upper Egypt, and the South. As vultures disperse the dead, she along with the other gods is on
the side of the waning sun, the age now passing. Below her is of course, HORUS, the falcon,
reaching with left wing toward the new light. The wing crosses a large vertical opal in the collar
of the Goddess. Opals were not only a symbol of synthesis because of their many colours, but
were also associated with death, The falcon stands upon a ruby disc, symbolizing purpose,
power, will, and the beginning and ending of cycles. This round ruby is covered by the head of
ANUBIS, guardian of the Underworld, and director of initiation. The body of ANUBIS and the
altar upon which he crouches, lies on the vertical Golden Section proportion of the painting. This
is the proportion of all of Nature, and the signature of this planet. The angle of the beam of new
light is just less than 90 degrees, at 86. This is the number of death, the passing of an age into the
birth of the new. This new Light, transmitted to the heart of the earth produces transmutation of
the past. Below, the small humans attending the Temple echo these themes. They have built
invocative obelisks at the Eastern door of the Temple, and set their lights ablaze. The temple
itself is of course, a pyramid, which means, “fire in the middle”. Man, the living Spark of God, is
that fire which bridges dimensions, and relates the new Fire of Heaven, with the Ancient Fires of
The original oil, was painted in 1997, and resides in the private collection of Maryann and
Matthew Miller. It also served as a cover for Rosicrucian Digest.
4-Leo 2018: Thai Cave Rescue. Sirius. Leo Lunar Eclipse. Earthquakes. Cataclysms. Elon Musk. – Esoteric Astrology: An extensive range of articles and essays, Monthly newsletters, articles, essays and videos on Esoteric Astrology and The Hidden History
Barbara Honegger’s Item:
ENTERPRISE MISSION IMAGING TEAM
Websites: The Hidden Mission
Keith Laney is a space image processing and anomalies specialist from Charlotte NC. He’s a husband, father, grandfather, artist, copper master, amateur space scientist and avid promoter and supporter of space exploration.
The primary passion of his life after about half the above is space imaging. His work has been featured by NASA, mainstream news organizations and planetary anomaly lovers the world over. Keith hosts a privately unequaled online collection of space imaging, planetary curiosities, his own writings and music which just celebrated its 13th anniversary.
Andrew A. Currie began his artistic career as a community public artist, working with neighbourhood groups to create murals in schools and community centres. As a graphic designer and illustrator, he serviced small to large Canadian companies. For the past decade, he has worked as a storyboard artist and concept illustrator in film and television, and in commercial tv advertising. Andrew has a Bachelor of Arts from The University of British Columbia, a diploma in graphic design and illustration, and a Masters in Art Therapy.
Mars Face Sculptures: http://kynthea.com
Kynthea, known in early Mars circles as “Mama Mars” is a San Francisco Bay Area Artist and the Artistic Director for the Mars Project and Producer for The Other Side of Midnight. She sculpted the first ever Face on Mars along with the Cliff behind it that echoes from profile “face features”. This sculpture appeared on the first edition of “Monuments of Mars” by Richard C Hoagland and was later corroborated by computer analysis of Mark J. Carlotto. Then came the “Cody Mars Face” , unveiled at the Cody Conference where she contributed to discussions with other Anomalies Researchers including Richard C. Hoagland, Anthony West, Eugene Mallove, Tom Van Flandern and others.When the Mars Global Surveyor (MGS) took provocative a photo of the Face on Mars she set about to sculpt the face once again, including the new data revealed in the NASA photo. That sculpture, the ‘Malta Bronze” and was featured on a later edition of the “Monuments of Mars” book cover designed by her. Kynthea organized the first Mars Exhibit and was a Key organizer of two JPL rallies in protest of NASA’s policies. She sculpted the Face several more times, and created a 3D computer model used in Mars Face animations featured on PAX TV. Kynthea dedicated more than 17 years to studying and sculpting the Face, her interest and research of Martian anomalies spans nearly 40 years. She delights in her two grown sons.
Bob is a keen investor and after achieving his dream of financial independence decided to “retire” from the rat race in 2010. As a “child of the Space Age”, Bob was fascinated by space exploration and speculations about extra-terrestrial life from an early age. These have continued to be interests for him. Dr. Carl Sagan’s early speculations about the possible artificiality of the “Elysium Pyramids” on Mars have had a long term impact on his thinking.
In June 2000 Bob began the Cydonia Quest website as a personal exploration of the evidence for very ancient ET ruins in our Solar System. To date the research has mostly concentrated on Mars, and especially Cydonia. The website was inspired by the work of Richard C. Hoagland and his many collaborators in this field. Cydonia Quest is intended to be an additional resource to Hoagland’s own popularEnterprise Mission (TEM) website. It has also explored some of TEM’s more “out there” theories.
Will Farrar grew up in Maryland where he started his career in technology at the young age of 16 and is currently the Information Technology Director for a national healthcare company as well as the man behind the Space Anomaly YouTube Channel WhatsUpInTheSky37 and the website whatsupinthesky.com.
He attributes his keen eye for spotting anomalies in imagery to his fascination with images returned from various spacecrafts as well as his travels around the United States visiting various national and state parks. Will is also known for applying various technological approaches in his hunt for anomalies in space imagery that has helped make his case of obfuscation in the past. Will is an accomplished musician and artist and he brings those skills of discernment to his quest
Proudly uncredentialed polymath with a proudly uncredentialed and deeply interested in the study of archeology, Ron was raised on a farm in Pennsylvania collecting arrowheads as a child. He found the programmatic aspect of education too limiting after attending a famous Quaker school in PA. , Ahead of his studies and his time, he attempted to contort himself into attending college; before he gave up on academia and moved overseas. In all that time, he has focused his core attention on the metrology of our paleo history, particularly on other planets, especially Mars.
Tim Saunders is a British national who grew-up near to the south-coast of the United Kingdom. Positively influenced by the nearby yachting and shipping scene, he chose his ideal career path at the age of ten when he decided to become a yacht designer. He followed in his father’s footsteps in Television Production for a few years which soon lead him – full circle – to become involved in a number of ‘then’ cutting-edge documentaries about Technology and Watersports, namely Tomorrow’s World, Horizon and a series named Waterfront. These experiences served to boost his interest to ‘create yachts’ for living and he soon found a place at the coveted Coventry University where he studied Industrial Design (Transportation). While this was one of only four colleges in the world that specialised in Automotive design, from the start he elected to apply this rich learning experience to create a career in yacht design.
Following his graduation, Tim was fortunate to have been offered appointments at many of the world’s highly revered yacht Design Studios, working on an array of live Superyacht projects of all different sizes, styles and uses. During what he affectionately calls his apprenticeship years, Tim honed a sharp eye for fine detail, problem solving and soon built-up a wide range of design and management skills during a circa. 10 year period. He gained a wealth of experience from many facets of the industry, custom design. production design, exterior styling, interior design, systems, naval architecture, materials and manufacturing – while working with many of the world’s most respected Naval Architects, Shipyards and Interior Cabinet (Furniture) Makers. In 1999 Tim established his first independent Design Studio, based in Holland, and rapidly became involved in the design of a number of new yachts ranging in size from 10m / 40 ft to 100m / 400 ft. Tim measured his success by finally fulfilling a long term wish to exhibit his work at the Monaco Yacht Show, which lead to key introductions that still generate a regular supply of commissions today. Following the appointment of a particularly large project, a 225m / 738’ vessel, he relocated his business to Chelsea Harbour in South-West London and set-up a larger Team. Some years later, in 2009, Tim chose to move his home to one of the natural crossroads of the world, Turkey, where he continues to reside with his young family on the Aegean coastline in the south east of this ancient country. Tim Saunders Yacht Design LTD continues to be very busy, currently working on multiple iconic custom superyachts for local and international Clients.
The Morgan Curve BLOG: TheMorganCurve.com/wordpress/
Keith Morgan has been an Electronics Technician with ABC News in Washington DC since 1982. He has a BA in Communications from Howard University with a minor in Computer Science. He helped build Howard Universities TV station, WHMM, now WHUT. He worked at WRC Channel 4 in Washington in 1980. Keith is discoverer of what has been coined the Morgan Curve on Mars. He has researched the Mars anomalies since 1988 after purchasing “The Monuments of Mars”. He worked with Nightline with Ted Koppel. Keith was instrumental in getting a face to face between Richard Hoagland and Ted Koppel. He also supplied the show with information which was used in various shows about Mars and Europa. Keith thinks he now knows why the face is on Mars, and who is buried within, based on Sumerian writings over 6000 years old.
Website: Lambert’s Lodge (In the process of being overhauled)
Georgia Lambert has over fifty years of experience in the field of Esoteric Studies, receiving formal training in Eastern and Western disciplines, methods and traditions. She was the first to be licensed by the State of California to teach Meditation and Esoteric Physiology, an experimental course she presented for 3 years at the College of Osteopathic Medicine of the Pacific.
In the past, she has served on the board of directors of United Health Resource, has been on the staff at the Institute for Health Facilitation for 3 years, taught for 2 years for the Institute for Advancement of Human Potential, and served on the Teaching staff of the Philosophical Research Society for 10 years, under Manly Palmer Hall. Her lecture credits include Children’s Hospital of Orange County, California State University of Fullerton, Orange Coast College, and Orange County Correctional Facility at Chino, The William Parker Holistic Health Center, The University of the Seven Rays, The Edgar Casey Foundation (A.R.E.),The Theosophical Society, Arcana Workshop, and the 1985 National Cranial Conference sponsored by the American Osteopathic Association.
In 1989, she became the first woman to address a Scottish Rite Research Group on the higher degrees of Masonry. In 1995, 1996, and 1997 she gave presentations to the Pacific Southwest Regional Conclaves of the Rosicrucian Order A.M.O.R.C., both in the USA and in Canada. In 2001, she was invited to participate in a “Think Tank” under the umbrella of an Aerospace Corporation on the subject of Science and Education, and her artwork was featured at the Education Summit for the American Institute of Aeronautics and Astronautics. In England, she has given seminars for the Scientific and Medical network at St. Katherine’s College in Oxford, and for the Wrekin Trust at Regents Park College, London. Her publishing credits include articles in the British Holistic Health Journal, Caduceus, and appearances on both radio and television.
Dr. Richard B. Spence
Dr. Richard B. Spence is a Professor of History at the University of Idaho. His interests include Russian and military history along with espionage, occultism and anti-semitism. His major published works include Boris Savinkov: Renegade on the Left, Trust No One: The Secret World of Sidney Reilly, Secret Agent 666: Aleister Crowley, British Intelligence and the Occult, and Wall Street and the Russian Revolution, 1905-1925. He is the author of numerous articles in Revolutionary Russia, Intelligence and National Security, Journal for the Study of Anti-Semitism, American Communist History, The Historian, New Dawn and other publications. He has been interviewed on numerous programs and has been a commentator/consultant for the History Channel, the International Spy Museum, Radio Liberty and documentaries produced by the Russian Cultural Foundation.