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What does NASA’s first new human lunar mission in 50 years, since the end of the Apollo Program — an unmanned test named “Artemis” (after the twin sister of “Apollo”…) — and the fourth man to walk on the Moon in the Apollo Program — astronaut and fine artist, Alan Bean — have in common?
BOTH have now confirmed the astonishing existence of “a fundamentally unknown, ancient, mind-blowing, all-encompassing one-time feature of the Moon”–
The physical existence of a “satellite-wide, tens-of-miles-high, layered glass dome …” — that, like a planet wrapped in cellophane! — once completely covered the surface of the Ancient Moon ….
The Artemis evidence is its remarkable state-of-the-art digital images and videos, transmitted continuously LIVE back to Earth, during the roughly two weeks its “Orion spacecraft” was physically orbiting the Moon ….
Bean’s first-hand, 50-year-old evidence — his “eye-witness lunar testimony to a VERY different Moon” — lies in a series of extraordinary paintings of his (and his fellow Apollo astronauts’) heretofore censored personal lunar experiences … exploring the long-dead artificial wonders of “an ancient, inhabited Moon …”– all now stunningly confirmed by the Artemis images and videos themselves … backed up, by astonishing new details pulled from comparison Apollo films by state-of-the-art computer processing!
Faithfully echoed in Bean’s silent lunar paintings ….
Join us, as tonight we compare the breathtaking lunar record of “the REAL Moon of Alan Bean …” with more stunning images from the First Artemis Return ….
Richard C. Hoagland
Member of the Enterprise Mission Imaging Team
Ron is a proudly uncredentialed polymath with a deep interest in the study of archeology, especially Martian archeology. Ron was raised on a farm in Pennsylvania collecting arrowheads as a child. He found the programmatic aspect of education too limiting after attending a famous Quaker school in PA. Ahead of his studies and his time, he attempted to contort himself into attending college; before he gave up on academia and left to travel overseas. Throughout all this time, he has focused his core attention on the metrology of our paleo history, particularly on other planets, and especially Mars.
Andrew A. Currie began his artistic career as a community public artist, working with neighbourhood groups to create murals in schools and community centres. As a graphic designer and illustrator, he serviced small to large Canadian companies. For the past decade, he has worked as a storyboard artist and concept illustrator in film and television, and in commercial tv advertising. Andrew has a Bachelor of Arts from The University of British Columbia, a diploma in graphic design and illustration, and a Masters in Art Therapy.
Jonathan Womack is an astral Samaritan, psi-archeologist, musician, award-winning author, and film producer. Jonathan began leaving his body in the fall of 1965 after watching an episode of the sci-fi series, “Lost in Space”. A year later, Jonathan found his calling after watching the premiere of the Saturday morning cartoon, “The New Adventures of Superman”. Jonathan donned the astral cape and leotards when he began receiving psychic distress alarms from people and spirits.
In 1968, during a family vacation to Colorado, Jonathan was struck by the appearance of ancient ruins and monuments. Five decades passed as Jonathan evolved and expanded his metaphysical scope, answering alarms and clearing traumatized sites such as ground zero in New York City.
In the summer of 2021, while viewing images presented on an episode of Richard Hoagland’s radio podcast, “The Other Side of Midnight”, Jonathan was again struck by clear evidence of ruins, monuments, portals, sphinxes, spires and murals in Arches National Park, Utah.
Jonathan committed himself to dispelling the myth and conditioning of “interesting erosion” in the American southwest, Alula, Saudi Arabia, and other sculpted regions around the world, as well as the planetary art covering the Martian surface.
The Morgan Curve BLOG: TheMorganCurve.com/wordpress/
YouTube Channel: https://www.youtube.com/user/kbmorgan721
Sound Engineer for 'The Other Side of Midnight' and 'The Other Side of the News'
Keith Morgan has been an Electronics Technician with ABC News in Washington DC since February 1982 and retired in July 2011. He has a BA in Communications from Howard University with a minor in Computer Science. He helped build Howard University's TV station, WHMM, now WHUT. He worked at WRC Channel 4 in Washington in 1980. Keith is the discoverer of what has been coined the Morgan Curve on Mars. He has researched the Mars anomalies since 1988 after purchasing “The Monuments of Mars”. You can find Keith in Graham Hancock's book "The Mars Mystery", and Dr. Stanley McDaniel's "The McDaniel Report, as well as "The Monuments of Mars" second edition on, and "Dark Mission".
He worked with Nightline with Ted Koppel. Keith was instrumental in getting a face to face between Richard Hoagland and Ted Koppel. While at ABC he saw news casts, going to ABC affiliates, about inventors with technologies that could have got us off fossil fuels decades ago. Those were similar technologies that are just now coming into the mainstream today. He also supplied the Nightline show with information which was used in various shows about Mars and Europa.
Keith thinks he now knows why the face is on Mars, and who is buried within, based on Sumerian writings over 6000 years old.
Barbara Honegger, M.S., Lawyers’ Committee Board Co-ChairWebsite: LCfor911.org Barbara Honegger, M.S. has served in high-level Government positions including White House Policy Analyst, Special Assistant to the President for Domestic Policy, Director of the Attorney General’s Law Review at the Department of Justice, and for more than a decade was the Senior Military Affairs Journalist at the Naval Postgraduate School, the premiere science, technology and national security affairs graduate research university of the Department of Defense. Barbara is Chairman of the Board and Investigative Researcher with the Lawyers’ Committee for 9/11 Inquiry. Since Sept. 11th she has been a leading author, documentarian, public speaker and major activist on the events of 9/11 with emphasis on the Pentagon Attack and Anthrax Attacks, including presentations and speaking tours in the U.S. Europe and Canada. Barbara researched, scripted and produced the video documentaries ‘Behind The Smoke Curtain: What Happened at The Pentagon, and What Didn’t, and Why It Matters’ and ‘The 9/11 Museum Virtual Walking Tour’, both with over 250,000 views on YouTube. The Walking Tour uses the actual exhibit items in the 9/11 Museum at Ground Zero itself to prove that the Official Story of Sept. 11th is false. She is also the visionary for and physically executed the iconic ‘Third Beam’ Spotlight shown into the NYC skyline on the 9th Anniversary of the attacks that has become the icon for Architects & Engineers for 9/11 Truth and the 9/11 Truth Movement worldwide. Barbara is also a national whistleblower. Her pioneering book October Surprise, the first on the topic subsequently confirmed by formerly classified documents and deathbed confessions of key conspirators, led to an official Congressional re-investigation of the Iran side of the Iran-Contra scandal funded at the level of the 9/11 Commission. Ms. Honegger earned Bachelor of Arts from Stanford University; a Master of Science in Consciousness Studies from John F. Kennedy University; and Masters level certification in National Security Decision making from the Naval War College. She has twice run as a Candidate for Congress for the central coast district of California, most recently on a 9/11 Truth Platform.
Kynthea is drawn to collaborate with pioneers of the future to bring about a better world for all.
Together with Richard C. Hoagland, she studied the first Cydonia photos from Mars and helped organize the early Mars investigation and spear-headed several Mars Rallys at JPL in Pasadena, California. Kynthea served as Artistic Director for the Mars Project and collaborated on the first Mars Exhibit.
She was the first to sculpt the incredibly controversial Face on Mars along with the Cliff behind it that echoes from profile “face features”. This sculpture appeared on the first edition of “Monuments of Mars” by Richard C. Hoagland and was later corroborated by computer analysis of Mark J. Carlotto. Then came the “Cody Mars Face”, unveiled at the Cody Conference where she contributed to discussions with other Anomalies Researchers including Richard C. Hoagland, Anthony West, Eugene Mallove, Tom Van Flandern and others. When the Mars Global Surveyor (MGS) took a provocative photo of the Face on Mars she set about to sculpt the face once again, including the new data revealed in the NASA photo. That sculpture, the ‘Malta Bronze” was featured on a later edition of the “Monuments of Mars” book cover designed by her. She later created a 3D computer model used in Mars Face animations featured on PAX TV. The mystery of the Face on Mars captured her attention for more than 17 years.
Kynthea continues to support and contribute to the on-going planetary/Mars investigations with the Enterprise Mission Imaging Team, her interest and research of Martian anomalies spans nearly 40 years.
Robert Morningstar is a civilian intelligence analyst, investigative journalist and psychotherapist, living in New York City.
Robert is a specialist in photo interpretation, geometric analysis and computer imaging. Robert Morningstar is a graduate of Power Memorial Academy and was a New York State Regents Scholar (1967-72) at Fordham University where he received a degree in psychology. While at Fordham University, in 1969, Robert participated as a research fellow in a US Navy-sponsored program to develop Artificial Intelligence.
An expert in Chinese language, history and martial arts, he is acknowledged as a Master of Yang Family Tai Chi Ch’uan by the Hong Kong Tai Chi Masters Association and has taught at Oberlin College, and Hunter College, the City University of New York. In 1992-93, he worked in the Behavioral Science Department of The International Center for the Disabled.
Robert Morningstar is a FAA-licensed private pilot and Instrument Ground Instructor and has studied the paranormal and UFOs for over 50 years and published many research articles on the Internet, exposing government cover-up and deception applied in the JFK Assassination. His work is cited in major books on the JFK assassination, notably in Paris Flammonde’s “The Assassination of America” and “Conspiracy Science” by Prof. James Fetzer.
In 2004, Robert Morningstar presented "TMA 1: A Sign of Intelligent Life on Mars" before a peer review panel at the Min-Tech conference at Johns Hopkins University sponsored by AIAA (American Institute of Aeronautics & Astronautics) and was a featured speaker at the historic Secret Space Program Conference-Breakaway Civilization Conference held in San Francisco, June 2015 where he exhibited Apollo mission lunar anomalies and related UFO activity that occurred throughout the Apollo Missions. Robert has written extensively to expose NASA’s use of “Disinformation Technology” to suppress evidence of an extraterrestrial presence on the Moon and of life on Mars.
Robert is currently the Publisher & Editor of The UFO Spotlight & UFODigest, which expose the real nature and menace of the UFO phenomenon its cover-up and threat to our constitutional liberties. Robert ihas been heard regularly on many national and international radio programs, including Coast-to-Coast AM, Far Out Radio, The Other Side of News, The Martian Revelation, Dr. J Radio Live in L.A. and Skywatchers Radio. Robert is currently the host of hs own radio programs on Revolution Radio..
Robert Morningstar has been listed in Who's Who In America, Who's Who In Who in Business & Industry (1992) and In Science & Technology (1993). Robert was the recipient of the Marquis Who's Who 2020 Albert Neill Lifetime Achievement Award for his work and career as a Civilian Intelligence Analyst.
Why the Fury to Return to Mars?
ORION Recovery ORION offload from ship in Portland
2.Damaged Soyuz Spacecraft
3. National Archives Releases Trove of Kennedy Assassination Files
With Historic Explosion, A Long Sought Fusion Breakthrough
South Korea’s 1st moon probe Danuri begins to enter lunar orbit
The west side of the “Oceanus Procellarum” (cut out from the second image shooting)
This is a still image taken out from the end part of the second moving image taking.
We can observe a crater called “Repsold,” whose diameter is 107 km, at the center on the near side of this image. The channel that crosses this crater is called the “Repsold Valley,” and its length is about 180 km (equivalent to the distance between Tokyo and Shizuoka on the Tokaido Line in Japan.) The shooting time was the same as the above (2.)
Name in hieroglyphs
Major cult center
Nineteenth dynasty statue of Mut, part of a double statue, c. 1279–1213 BC, Luxor Museum
Mut, also known as Maut and Moutwas a mother goddess worshipped in ancient Egypt and the Kingdom of Kush in present-day North Sudan. In Meroitic, her name was pronounced mata): 𐦨𐦴. Her name means mother in the ancient Egyptian language. Mut had many different aspects and attributes that changed and evolved a lot over the thousands of years of ancient Egyptian culture.
Mut was considered a primal deity, associated with the primordial waters of Nu from which everything in the world was born. Mut was sometimes said to have given birth to the world through parthenogenesis, but more often she was said to have a husband, the solar creator god Amun-Ra. Although Mut was believed by her followers to be the mother of everything in the world, she was particularly associated as the mother of the lunar child god Khonsu. At the Temple of Karnak in Egypt’s capital city of Thebes, the family of Amun-Ra, Mut and Khonsu were worshipped together as the Theban Triad.
In art, Mut was usually depicted as a woman wearing the double crown of the kings of Egypt, representing her power over the whole of the land.
During the high point of Mut’s cult, the rulers of Egypt would support her worship in their own way to emphasize their own authority and right to rule through an association with Mut. Mut was involved in many ancient Egyptian festivals such as the Opet Festival and the Beautiful Festival of the Valley. Her greatest temple was located at Karnak in Thebes.