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In these times, people are plagued by ‘shadows,’ fearful conjurings that block their ability to fully express themselves and thrive. Ariane Smolderen witnessed first-hand and experienced the transcendental consciousness evoked by the Gnawa musicians of Morocco. Following that inspiration led Ariane to create a series of photographs of people bound by their shadows… these powerful images then served as a means for releasing the dark energies that were imprisoning them. Join us as we explore this ancient healing modality of the Gnawa and how Ariane continues to liberate souls through her photography.
Graduated in photography of Art at the Institute St Luc in Liège, Belgium.
Ariane Smolderen worked for various magazines, has been edited in some prestigious books and produced portraits, reportages, music covers, fashion photography, advertising posters, etc.
Many remarkable exhibitions attracted the interest of the Art critics: “Portraits in Flight” at the Bains in Paris, “Hanging Portraits” at the space of Nino Cerruti, “The Purgatory of the Careless” at the Gallery Pilzer in Paris, “Chet Baker” at the St Germain Jazz Festival in Paris, “Blue Color” (about Gnawa musicians from Morocco) at the Hotel Scribe in Paris, “Angel or Devil” in Monaco, and many others.
Currently, Ariane has been presenting a series of portraits for an exhibition and a book about the situation of contemporary women and men, a look at the feminine condition with 30 portraits of people who agreed to reveal their shadows that were keeping them “slaves of their own mind”.
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Ariane Smolderen’s Gnaoua Musicians
(Click on Images to Enlarge)
1. Priestess Mina Errouk has prepared every thing that’s necessary for the Lila (ceremony)
2. Trance dance – repetition of rhythm unified with the natural beat of the bodies to call the Spirit of our Ancestors.
3. Knife dance during ceremony in Tameslote by an old priestress.
4. The beginning of ceremony, musicians reproduce the movement of the earth and the stars.
5. The house of Alabdi in the village of Maroudcha.
6. Agmet is a dancer and plays the QraQèbs in Marrakech(metal crotales instrument).
7. Randy Weston and Abdallah El Gourd playing together in Tanger
8. Malem Abbès in Marrakech
9. The Priestess is always protecting you during the ceremony against injuries
10. Groups of Maalem Aghmed Ben Thami in front of the old city of Fès
Ariane Smolderen’s Shadow Portraits
(Click on Images to Enlarge)
1. YES, PAYPAL CAN LEGALLY “STEAL” YOUR MONEY!
2. LOOK AT WHAT’S HAPPENING AT THE “WOKEPLACE” !
3. Tucker Carlson Tonight 10/14/22 FULL | BREAKING FOX NEWS october 14, 2022
She collaborates with pioneers of the future to create thought-provoking shows that serve as a catalyst for change to bring about a better world for all. Kynthea brings a broad insight to the discussion of the emergence of Universal Consciousness.
Together with Richard C. Hoagland, she studied the first Cydonia photos from Mars and helped organize the early Mars investigation and spear-headed several Mars Rallys at JPL in Pasedena, California. She was the first to sculpt the incredibly controversial Face on Mars...followed by numerous sequential sculptures as new data continued to arrive.
Kynthea continues to support and contribute to the on-going planetary/Mars investigations with the Enterprise Mission Imaging Team, her interest and research of Martian anomalies spans nearly 40 years.
Timothy Saunders is a British national who grew-up near to the south coast of the United Kingdom. Positively influenced by the nearby yachting and shipping scene, he chose his ideal career path at the age of ‘ten’ when he decided to become a yacht designer. He studied Industrial Design at the coveted Coventry University and is fortunate to have been chosen by many of the world’s highly revered yacht Design Studios to work on an array of live projects of different sizes, styles and uses, during what he affectionately calls his apprenticeship years. In 1999 Timothy established his independent Design Studio and rapidly became involved in originating a new generation of Super and Megayachts ranging in size from 9-270m (30-886 ft), which gained increasing positive notoriety while exhibiting his work at the Monaco Yacht Show and other prestigious venues. Timothy will see the launch of a 90m Megayacht and a 50m Super Sail yacht later this year and says, “it is very rewarding to breathe life into these innovative projects which are ultimately positive reflections of each satisfied Owner”. Timothy Saunders Yacht Design LTD continues to evolve and develop multiple iconic custom Super and Megayacht projects for local and international clients.
Annetta Driskell, is a renaissance woman with her feet firmly planted both in the real world and in the realm of Spirit.
The Morgan Curve BLOG: TheMorganCurve.com/wordpress/
YouTube Channel: https://www.youtube.com/user/kbmorgan721
Sound Engineer for 'The Other Side of Midnight' and 'The Other Side of the News'
Keith Morgan has been an Electronics Technician with ABC News in Washington DC since February 1982 and retired in July 2011. He has a BA in Communications from Howard University with a minor in Computer Science. He helped build Howard University's TV station, WHMM, now WHUT. He worked at WRC Channel 4 in Washington in 1980. Keith is the discoverer of what has been coined the Morgan Curve on Mars. He has researched the Mars anomalies since 1988 after purchasing “The Monuments of Mars”. You can find Keith in Graham Hancock's book "The Mars Mystery", and Dr. Stanley McDaniel's "The McDaniel Report, as well as "The Monuments of Mars" second edition on, and "Dark Mission".
He worked with Nightline with Ted Koppel. Keith was instrumental in getting a face to face between Richard Hoagland and Ted Koppel. While at ABC he saw news casts, going to ABC affiliates, about inventors with technologies that could have got us off fossil fuels decades ago. Those were similar technologies that are just now coming into the mainstream today. He also supplied the Nightline show with information which was used in various shows about Mars and Europa.
Keith thinks he now knows why the face is on Mars, and who is buried within, based on Sumerian writings over 6000 years old.