“The Lost Boys of Thailand” ….Sounds like a Hollywood blockbuster (which it will probably soon become …).
In fact, it is tonight’s saga of a gripping ~17 day rescue of 12 boys (and their adult coach — making 13) — lost, over two and a half miles underground in a labyrinthian cave system filling rapidly with raging waters — as the world looked on and prayed ….
But, is this the entire saga?
N0 — says Chris Knowles.
According to Knowles, there is a mysterious — nay bizarre — “ritual component” to this still unfolding drama … which we shall explore “in-depth” tonight.
Join us ….
Richard C. Hoagland
Christopher Loring Knowles
Website: The Secret Sun
Christopher Loring Knowles is the author of the Eagle Award-winning “Our Gods Wear Spandex: The Secret History of Comic Book Heroes”, co-author of “The Complete X-Files: Behind the Series, the “Myths, and the Movies” and “The Secret History of Rock ‘n’ Roll: The Mysterious Roots of Modern Music”. He was an associate editor and columnist for the five-time Eisner Award-winning Comic Book Artist magazine, as well as a writer and reviewer for the UK magazine, Classic Rock.
He has appeared on ABC’s 20/20 and Vh1’s “Metal Evolution” and several radio shows including “Mancow in the Morning”, “National Public Radio” and the “Voice of America”. He has also appeared in several documentaries such as “Wonder Woman: Daughter of Myth and The Man”, “The Myth: Superman”. He was invited to lecture on science fiction, mysticism and mythology at the legendary Esalen Institute at Big Sur, California in 2008 and 2009. He blogs regularly onThe Secret Sun
3- SEKHMET Click image to enlarge
By Georgia LambertIn the original oil painting of the Goddess SEKHMET, She is shown in both her aspects, as a Lioness, and as a Woman. The first thing I tried to create in this painting, was the quality of Light. In the original, this is more apparent, but if you will notice, the right side of the painting is in evening light, and the left side, in bright afternoon sun. The right side of the brain is the invocative side, and, as in ancient cultures the new day began at sunset, this side of the painting heralds the new era. The Goddess lifts her left hand (right brain) to the evening sky. A symbolic doorway appears over the constellation ORION. The star SIRIUS can be seen faintly in the womans’ hair, behind her hand. This is the sacred space of the sky the Egyptians called the DUAT, the region to which OSIRIS would rise and rule. A black hole opens in the center of ORION, a gateway to other dimensions. SEKHMET invokes the future via this opening, and the Light of its Soul pours through, creating a blue-white beam downward to the eye of Hours, to ground far beneath the Earth in the very heart of our planet.
In looking at some of the symbology of this painting, one notices that the Lioness is not an
African Lion, but a North American Panther. I chose this because in several Esoteric traditions,
America is considered reincarnated Egypt. The crown on the head of the Lioness is taken from
Egyptian wall paintings, but I arranged the lotus flower to bend over the Ajna Center, the chakra
between the brows. The stem of the blossom curves around the crown it emulate the serpent and
apple of the Garden of Eden. The blossom falls directly in the center of the head of the woman, a
mystical place of meditation, the heart center within the head.
At the far-left edge we see the ghostly figure of NEKHBET, the Vulture Goddess, symbolizing
Upper Egypt, and the South. As vultures disperse the dead, she along with the other gods is on
the side of the waning sun, the age now passing. Below her is of course, HORUS, the falcon,
reaching with left wing toward the new light. The wing crosses a large vertical opal in the collar
of the Goddess. Opals were not only a symbol of synthesis because of their many colours, but
were also associated with death, The falcon stands upon a ruby disc, symbolizing purpose,
power, will, and the beginning and ending of cycles. This round ruby is covered by the head of
ANUBIS, guardian of the Underworld, and director of initiation. The body of ANUBIS and the
altar upon which he crouches, lies on the vertical Golden Section proportion of the painting. This
is the proportion of all of Nature, and the signature of this planet. The angle of the beam of new
light is just less than 90 degrees, at 86. This is the number of death, the passing of an age into the
birth of the new. This new Light, transmitted to the heart of the earth produces transmutation of
the past. Below, the small humans attending the Temple echo these themes. They have built
invocative obelisks at the Eastern door of the Temple, and set their lights ablaze. The temple
itself is of course, a pyramid, which means, “fire in the middle”. Man, the living Spark of God, is
that fire which bridges dimensions, and relates the new Fire of Heaven, with the Ancient Fires of
The original oil, was painted in 1997, and resides in the private collection of Maryann and
Matthew Miller. It also served as a cover for Rosicrucian Digest.
4-Leo 2018: Thai Cave Rescue. Sirius. Leo Lunar Eclipse. Earthquakes. Cataclysms. Elon Musk. – Esoteric Astrology: An extensive range of articles and essays, Monthly newsletters, articles, essays and videos on Esoteric Astrology and The Hidden History
Website: Lambert’s Lodge (In the process of being overhauled)
Georgia Lambert has over fifty years of experience in the field of Esoteric Studies, receiving formal training in Eastern and Western disciplines, methods and traditions. She was the first to be licensed by the State of California to teach Meditation and Esoteric Physiology, an experimental course she presented for 3 years at the College of Osteopathic Medicine of the Pacific.
In the past, she has served on the board of directors of United Health Resource, has been on the staff at the Institute for Health Facilitation for 3 years, taught for 2 years for the Institute for Advancement of Human Potential, and served on the Teaching staff of the Philosophical Research Society for 10 years, under Manly Palmer Hall. Her lecture credits include Children’s Hospital of Orange County, California State University of Fullerton, Orange Coast College, and Orange County Correctional Facility at Chino, The William Parker Holistic Health Center, The University of the Seven Rays, The Edgar Casey Foundation (A.R.E.),The Theosophical Society, Arcana Workshop, and the 1985 National Cranial Conference sponsored by the American Osteopathic Association.
In 1989, she became the first woman to address a Scottish Rite Research Group on the higher degrees of Masonry. In 1995, 1996, and 1997 she gave presentations to the Pacific Southwest Regional Conclaves of the Rosicrucian Order A.M.O.R.C., both in the USA and in Canada. In 2001, she was invited to participate in a “Think Tank” under the umbrella of an Aerospace Corporation on the subject of Science and Education, and her artwork was featured at the Education Summit for the American Institute of Aeronautics and Astronautics. In England, she has given seminars for the Scientific and Medical network at St. Katherine’s College in Oxford, and for the Wrekin Trust at Regents Park College, London. Her publishing credits include articles in the British Holistic Health Journal, Caduceus, and appearances on both radio and television.